Cameron Morgan began working with Project Ability in 1991 and is a founding member of Art Trek.


Morgan paints murals but his practice also encompasses drawing, photography and ceramics referencing figures in music, fiction, wrestling and his favourite films celebrating the movement and the possibilities of paint. Morgan’s imaginative skills drive the construction of his giant murals where he illustrates how to apply paint, draw a figure and depict a movement with a devoted absorption and curiosity.


Edward Henry participates in Project Ability’s ‘Aspire’ programme and is a founding member of Art Trek.


Henry’s richly orchestrated painting combine bold colours and floating forms in a highly seductive method of painting. Henry displays a linear refinement in paint with clean lines and attaches fine detail to commonplace objects. Henry is faithful to his own pictorial style of flattening the surface, carefully applying the layers, adorning each painting with a gilt edge and constantly chasing new sources of inspiration. Henry’s paintings are continually dramatic and romantic and when he is not painting he enjoys opera.

 

Name:

Edward Henry and

Cameron Morgan


Residency:

12th October - 2nd November


Exhibition: Glesga Boys

1st November - 22nd November






Cameron Morgan and Edward Henry

Edward Henry and Cameron Morgan

Artists participating in Celf’s Mentoring Programme

Name:

Jan Butler

Mike Gregory

Dean Warburton

Amanda Wells


Residency:

January - April 2012




Jan Butler uses elements of fantasy and escape as a survival mechanism. Her influences are the patterns and motifs of the everyday. The found object is elevated and placed, creating an imagined world connected to childhood memory.

Mike Gregory is developing a thinking process through a making practice. He is learning and refining traditional skills as well as employing new technologies. His interests are myriad, from mythology and history to electronic music and contemporary sub cultures.

Dean Warburton is an obsessive manipulator of the everyday. A compulsive collector of stuff and an instinctive and industrious arranger of objects and words. The artist scours charity shops, salvage yards and skips in search of materials with a previous life, another purpose and reclaiming them in his work.

Amanda Wells is concerned with how she presents herself or experiences the world and how we mark and map the spaces we inhabit. Meshing poetry, painting, sculpture and model making, Wells explores issues around medication, multiple identity and status.